// the sun will rise tomorrow >> 09.2016 || dare gallery, spokane, WA
reproducibility and manufactured objectivity
Between 2010 and 2016, this body of work emerged, curating an experience for the beholder by sampling Martin Heidegger's 1938 essay, "The Age of the World Picture." Through the medium of remix, the I fused multiple media, transforming Heidegger's treatise into a labyrinthine system of signifiers that captures the viewer's attention and guides cultivated exploration. This imaginative creation challenges the mind to navigate its depths, uncovering connections and truths within Heidegger's philosophy.
Despite its elaborate and meticulous construction, the work ultimately remains another artifact within the vast ocean of our subjective experience. A testament to human ingenuity, the fluidity of thought, and the power of remix as a vehicle for philosophical discourse, this body of work simultaneously celebrates and challenges our understanding of engaging with and comprehending the world around us.
Between 2010 and 2016, this body of work emerged, curating an experience for the beholder by sampling Martin Heidegger's 1938 essay, "The Age of the World Picture." Through the medium of remix, the I fused multiple media, transforming Heidegger's treatise into a labyrinthine system of signifiers that captures the viewer's attention and guides cultivated exploration. This imaginative creation challenges the mind to navigate its depths, uncovering connections and truths within Heidegger's philosophy.
Despite its elaborate and meticulous construction, the work ultimately remains another artifact within the vast ocean of our subjective experience. A testament to human ingenuity, the fluidity of thought, and the power of remix as a vehicle for philosophical discourse, this body of work simultaneously celebrates and challenges our understanding of engaging with and comprehending the world around us.
